BY DESIGN

Wednesday
30Sep2009

Showa inspired cushion - design process

Showa Inspired Floor Cushion

This cushion was made as the household item required for my City and Guilds Certificate in Patchwork and Quilting. It also satisfied the requirement for a mainly quilted item.

I began with photos of traditiona Kuba cloth from the Democratic Republic of Congo and by drawing some of the line patterns I found there:

   

 From this exercise I drew some of my own designs which initially I rejected as too complicated for the simple look I wanted.  

 

I went back to simplfying the variable square shapes on kuba cloth and then to think about how I might lay the squares on the cloth and how they might be joined in some  way   or quilted to give a variety of texture. I decided on some Italian corded quilting to make the lines for the original design within which squares nested ( and probably because it was in my mind having done as sample of it at a class at show.) I worked a sample

  

 

 

 

 

 The smalls squares are dark fabric bonded to Pelmet Vilene and satin stitched edges. The middle square was wadding and the lines were made with ribbon couched down, Italian cording and free motion quilting.  Although my final design did not use some of these elements they will not be wasted - now I have reminded myself of them writing this up I am inspired all over again to work these ideas into something else!

I then played with various layouts and sampled shades of fabric paint, weights of threads and fabric choices.I decided on a simple envelope back and to make that flap interesting I reverted to one of my 'too complicated patterns' for hand quilting a border, making an ink diagram which I taped to the patio door with the fabric taped over it. I then traced onto the fabric with a water soluble pen.  The fastenings were made from hand twisted cord and a two perfect beads.

 

 

 

Sunday
06Sep2009

Use a sketchbook? But I'm a quilter not an artist!

I have had times when I looked at sketchbooks by other artists and was consumed with a combination of desire to produce such books and a despair at my own inabilities. Recently I realised that when I get that combination of emotions I am inevitabley looking at a book produced by someone with a fine arts background. Their pages are covered with inks and bleaches, paints and gels.  The pages are waxed or embellished with clever inserts and cut outs. They  must spend hours that I do not have, endlessly drawing pears from different angles using a variety of different techniques. It always seems to me that I am lacking in a key product. That, or, I have the key product and have no clue how to use it. I am willing to learn and will pass on anything I do manage to learn via this new journal, but at present I cannot do pages like that.  

And yet, I do keep a 'sketchbook' and get a lot of benefit out of it. I use inverted commas there because I think the name 'sketchbook' itself can be off putting. It invokes Henry Moore's perfectly rendered sheep drawings and implies you need charcoal sticks. I can't be doing with charcoal sticks - they get all over everything and never in the way they are supposed to. Most of the drawings in my sketchbooks are done with the plastic mechanical pencils you get at the side of your bed in hotels.  I still use the name as a generic term, though, as it is a commonly recognisable one.

I have two catgories for books. One I call my 'quilting journals' (in itself now an outdated habit since I     branched out into embroidery) and the other my 'design books'. Come on - I'll give you a peek!

Quilting journals

I use notebooks with blank pages intended for writing in. They operate as a kind of combination external hard drive and dream catcher.  They contain facts, inspiration and half baked ideas which one day may amount to something. For example

 - scrapbook pages for colours that inspire

- leaflets from other artists

 

- ideas around themes. (This one was for my Dandelion Twelve by Twelve Quilt.)

- records of what I have been doing

- fabric calculations for works in progress

- plans and general journalling.

Basically, these books are receptacles for snippets of information and threads of thoughts which, if left to float freely around my brain, would cause it to explode. They form both a diary to look back on an a resource library for the future. Sometimes I don''t have them with me at the key moment and so I scribble on any old piece of paper around and stick the gem in later.

Design books

My use of these books has definitely been influenced by taking City and Guilds Courses in which you are required to keep a record of a transition from design source through samples to finished project. accordingly they are more focused and either topic orientated ( see my African Masks book in the sketchbook gallery) or project orientated.

For these I favour Spiral bound A4 or increasingly A3 Pink Pig books which contain cartridge paper which will take light wet media if you don't mind the occasional slight wrinkling when you are heavy handed with the water. These are the ones I am open to developing as I learn from other textile artists how they work and how they use art materials for design purposes.

 However, I had a revelation recently - the function of these books is to inspire designs which I will make and so both the books and the finished work should reflect my personality. I think first via words and then via visuals so, although I love to see how embroiderer Jan Beaney starts with page after page of beautifully coloured paintings, I am happy to allow myself to start with a more academic research project and black line diagrams with maybe a bit of water colour added. That fits with how my brain works and so is more beneficial than attempting to copy someone else's style.

It is easy to fall into the trap of thinking that there is a right way to do a sketchbook or journal. In fact sketchbooks will differ between artists and one individuals books will vary from time to time as they learn new techniques and follow new themes. Knowing that did not make me any less delighted to discover, in the course of some research on the amazing sculptor El Anatsui to see that his sketchbooks are not that dissimilar from mine. (Or maybe that should be the other way around).

   Having decided firmly to follow my own style and my own needs with sketchbooks I am still fascinated with the work of others and still determined to expand my skills and apply then to my own style.  Which is why I have dedicated a whole section of this site to sketchbooks. I hope to encourage you do expand your use of your own and to pass on anything of use I glean from other sources. If you would like to share you books with me for possible inclusion in a 'reader gallery' do email me - I'd love to see them and I am sure others would to. But please, if they are likely to induce despair and feelings of inadequacy in me on first viewing - send chocolate too would you?

Tuesday
01Sep2009

Book Review - Design! by Steven Aimone

DESIGN! A lively Guide to Design Basics for Artists and Craftspeople

Steven Aimone

Lark Books 2004

 

Teapots – many quirky, delightful teapots illustrate the design principles covered in this book. Paintings, textiles, ceramics, photography, basketry and carvings, even Malian mud huts all serve the same purpose but I found myself turning pages waiting for the next teapot with its surprising spout or slightly tipsy top. The book is proof perfect that good design is good design no matter to what art form it may be applied. It is 176 pages of permission to prowl craft galleries, African villages and cook shops in the name of research.

 

The eleven chapters present an aspect of design such as the repetition of motif, rhythm, focal emphasis or the design space. At the end of the theory there are exercises to follow. These would be a good start for anyone wanting to learn to play in a design sketchbook apart from the education about design one would attain. This book covers more of the theory on design than the City and Guilds certificate modules do and at a snip of the price.  Put your feet up, make a cup of tea and enjoy. But don’t blame me if you feel the urge to alter your teapot before your Earl Grey is cold.

 

­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ This book is available to purchase from my US or UK bookstores. Buying from my store provides me ( at no extra cost to you) with a small commission which defrays the running costs of this site. I only stock books which I own and can personally recommend.

Saturday
08Aug2009

Designing your own website - eight tips

I am no website design expert but in setting up this site I learned a lot. So let me share some of it:

1. Consider your message

A website is a form of communication. So, before you open your mouth to an international audience, think what it is that you want to say. Why do you want a site at all? Maybe you want a gallery to show off your work. Maybe you are setting up a busisness and need a fairly static site with your prices and terms and conditions. Or maybe like me you wanted a very active site with regular new content. The purpose of your site will influence many of the decisions below and it is worth thinking about carefully before you start. I found it helpful to set out a kind of family tree, with the home page as the founding father and all the possible pages I would want flowing from that.

 

2. Choose your name

 The perceived wisdom is that having  your name in the website title is good, as is having the title saying what the site is about.  Google your name and see what other sites are there to avoid confusion with their names.  Avoid very long sites ( www.helenconwaysamazingquiltemporiumofdelights.com) and abbreviations (www.hcaqeod.com) unless perhaps the organisation you are constructing a site for is already known by an acronym.

 

3. Get help.

The Internet is Geekland. There is nothing wrong with being a geek but of you are not a naturalised citizen of that world, a guide is a good idea. It is possible to do it yourself ( see point 5 below) but unless you are doing somthing very simple with your site, (akin to crossing the US border to Canada for the day or a booze cruise arcoss the channel) or unless you like the kind of travel that involves stepping off a plane in Kryzakiskan with no money, no language, no hotel, no transport and no return ticket, get a guide. I benefited immensely from the services of Brenda Gael Smith. I am told that Gloria Hansen is also a good choice. Be aware that the usual method is to commission the design of a site of a certain number and type of pages which will determine the price

 

4. Consider the cost

It is possible to do a site for free ( apart from paying your designer if you use one). The Internet provider you are using right now probably allows you some web space as part of your package. This may well be adequate for a simple site. However, the downside is that the site name is often something like www.yournewwebsite/yourinternetprovider.com. If you want www.mynewwebsite.com there will be a cost. The free packages are also limited in formatting and personalisation options. To move away from these limited ( but possibly perfectly adequate) options you will need

(a) a domain name. There is someone somewhere who is in charge of website names and has the power to dole them out like candy. I have no idea who and do not care. But I know that he lets certain companies sell the names. I bought mine from a company called GoDaddy. First choose your name. Then google 'domain name search' to throw up sites which will let you check if your domain (website) name has already been taken. If not they will offer it to you and give you an indication of what it will cost. Different endings ( .com,.org,.co.uk etc may have different prices). Names are not hugely expensive and can be paid for year by year or in blocks of years. I paid £56 for five years for a .com address

(b) a hosting company. Basically you need a big computer (server) on which you can store all the pages you have written. Every time a reader puts your address in their browser it sends them to that big computer who lets them read your page. Magic. (No I don't really understand either but I don't understand the combustion engine and I drove to work today just fine.) If you go for the free package with your Internet service provider they are basically letting you use a little space on their big computer. If you want your own domain name though you need to find a service who will let you use theirs.  Don't buy your domain name until you have chosen this as you may be required to work with certain companies. To find one, google 'web hosting companies', ask your Tip 3 helper or read on to discover what I found! Prices will vary depending on provider and what package you choose. I paid US$14.95 per month for the service behind this site with a 10% discount for upfront payment.

 

5. Consider how to write the site.

Your first option is to learn a language called HTML and code all your pages from scratch. This is perfectly possible ( I achieved 2 perfectly functioning pages) but is like ordering your chinese meal in Cantonese. Get it right and you will enjoy a lovely King Prawn Chow Mein just as you imagined. Make one little mistake and the chef is chasing you with a cleaver for calling his wife something obscene.  You can order in English. Or in fact - as I discovered - you can just point at the menu.

Brenda, my Tip 3 helper is a smart polyglot and can code from scratch. However, I wanted to be able to add stuff to my site without crawling to her for help every day and so she suggested I look at Word Press. Many people use that for their blogs but for me, for a site, it was still too geeky. For example, it was described to me as a ' open source platform'. Now, if you know what that is - go use it by all means. If you are losing the will to live let me whisper a sweet secret in your ear: Squarespace.

Squarespace is a WYSGIG site. (What you see is what you get). You can add code if you wish but you don't need to. You can set up a site on this by filling boxes in and pointing and clicking. It is simply fantastic. Any one who has blogged can do this falling off a log. If you are not blogging - well, you might have to learn how to walk onto the log first but I am betting you'll get the hang of the falling off bit just fine. Best of all you can get a free trial, set up a dummy site and play to your hearts content. It does take time to look at everything that is available but it was not hard to set up a site at all. It also has a free service with basic functioning.

So why do I have a Tip 3 helper? Well, partly for time - it was good to delegate tasks to some one with more knowledge to save on discovery time. But I also wanted somthing more personalised and complex than most quilters gallery sites and Brenda was able to guide me with advice on what designs and organsiations worked best,  to help modify the site past basic templates. She also had the capacity to test my site on a number of browsers and to assist me with user profiles from her other sites. It was a good partnership  and I would do the same again but I do think that if you are on a budget and/or you are happy to learn a new system you can do a simpler site yourself with squarespace. It is great for adding pages later.

6. Consider your design

Look at other sites. What features do you like? What annoys you? What features do you need to get your message out? What bells and whistles can you forego to keep within your budget? What colour themes reflect your personality? If you are using a logo will it date? If you are planning on developing your site leave room or scope to rejig the site to add the new features easily.

 

7. Streamline.

Make sure you do not have too many options on your main menu. I read somewhere that seven or eight was optimal. Any more and your readers apparently get confused. Or at least just plain tired reading them and making choices. Less is not necesarily a bad thing. But I had so many ideas for this site that I was running to far more than eight. Redrawing that family tree is a necessary stage as is considering using a template with a sidebar as I did. Hopefully the design is now a happy compromise between being chocka full of useful information and still being user freindly.

 

8 Learn about digital photos

Before I signed up to Square space I was used to Blogger. To add a photo there you just snap with your camera, upload to your computer and tell Blogger to use it. If I did that on a website  it turns out the photo would take an unacceptabely long time to load and would exceed the size of the screen. Well, who knew? Brenda did, obviously. And so did Gloria Hansen who explains it all in her book aimed at QDigital Essentails. Get a copy. (Note that whilst Amazon.com had it,( and you can buy from my store here) when I bought it Amazon.co.uk did not have it in stock. You can order from Rio Designs.) Also get a copy of a digital editing programme. Brenda told me to get Photoshop Elements 7. I did what I was told (OK, She didn't tell, she recommended, but she knows her stuff)  and it does the trick just fine. (And lots more tricks I haven't got to yet) . It was vital for restoring the right colour balances on the photos in my quilt gallery which had to be photgraphed in a studio with poor lighting.

 

 I hope this is useful for anyone thinking of setting up there own site. If you do - please email me so I can go and check you out.